CH 02 · Showreel1:30
Forty-one videos, one long transmission.
The reel runs ninety seconds and cuts on the snare, never on the bar line. Every frame in it was shot on film or tape and played back through a cathode ray tube before the grade.
Now broadcasting, CH 01
Odette Saar directs music videos for bands that still own a television. Scroll and the camera pushes in on the set; every section is a new channel.
CH 02 · Showreel1:30
The reel runs ninety seconds and cuts on the snare, never on the bar line. Every frame in it was shot on film or tape and played back through a cathode ray tube before the grade.
CH 03 · The looksince 2014
Hard light from one side, a drape behind, nothing else in the room. The green comes from a real phosphor monitor kept just out of frame.
CH 04 · On air nowpremiered 12 Sep
Three minutes forty-eight of one rabbit-ear antenna and the singer's reflection in its chrome. Shot in a single night on 16mm, then rolled through the tube twice until the edges bled.
The work, scheduled like a channel. Hover or focus a slot and it plays on the monitor.
June Ferro, Static Bloom · 16mm20:00 · 3:48
Every dead link on this site lands here instead of a blank page. The bars are the real broadcast standard, and the tone is real too.
Quiet, a sine wave at 1,000 Hz. Press again to stop.
Send the track, a date and one reference you love. A one-page treatment comes back within 5 working days, with a shot list and a budget you can read in a minute.
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